I recently discovered a posting by an amateur photographer on YouTube with directions for changing or adding thumbnails to preset categories shown in the left Presets tab of ON1 Photo RAW 2022.1. I was interested because I have collected a lot of these presets in recent years while using Photo RAW. This screen grab of the ON1 Photo RAW Browse module shows the way preset categories (the two columns on the left) are displayed. The two generic squares outlined in yellow are older categories with no thumbnails. Older preset categories and some new ones from third-party providers have no thumbnails, and it can become a bit more difficult with so many generic squares displayed. The YouTube directions identified a method to add thumbnails to the preset categories, but the procedure was complicated. It did not work sometimes. Dylan Kotecki, online trainer for ON1, posted this video about using and modifying presets in an earlier version of Photo RAW, but he did not cover the topic ...
ON1 Software’s non-destructive raw photo converter/editor, Photo RAW 2020, is now in public beta with the official release scheduled for next month. I have been using this software for several versions now, and the latest release has some impressive features. Here are the most useful changes I have found: First, the presets in the Browser are either brand new or remodeled previous offerings. After selecting a preset, there’s a slider for controlling the intensity without having to open the Effects module. The black and white film presets appear to have been reworked and much better than those in RAW 2019. Second, the Develop module in much improved. The Auto button does a better job of balancing the contrast in a troublesome image without blowing the highlights. There’s an AI Match option that shows you to change to the look of the image you saw in the camera EVF when you took the picture. After choosing either Auto or AI Match, a master-control slider change...
Just figure me as an oddball. I don't subscribe to the Olympus micro four thirds trinity of prime lenses: 17mm f1.2 PRO, 25mm f1.2 PRO and 45mm f1.2 PRO, even though I desire the beautiful depth of field achieved with primes. These fast, weather-sealed, expensive lenses produce images with feathery bokeh and cover the slightly-wide, normal and portrait ranges. But the high prices and angles of view are not quite right for my needs. Plus packing all three of these glass-heavy lenses is less than ideal for traveling. Despite the steep price, I purchased the Olympus M.Zuiko 25mm f/1.2 PRO -- the normal view -- soon after it was released, replacing my slower M.Zuiko 25mm f1.8. The f1.2 PRO works well on my Olympus E-M1 III camera and my Olympus PEN-F if a third-party grip is attached for better balance. The field of view of the Oly 25mm Pro is 47-degrees, arguably close to that of a human eye. By the time of this purchase, I had established the f-stop of 1.4 as the fastest neede...
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