Posts

Affinity Revolution

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 There's been lots of traffic on various sites about the new look of Affinity Photo, Affinity Designer and Affinity Publisher, three useful products created by the firm Serif. October 30, 2025, a year and a half after the Australian company Canva purchased Serif to expand its professional software design product line, Affinity, version 3, was released. All three apps are included in the new Affinity. Each one is designated as a Studio, and the user can easily switch among the three. The three icons for Photo, Designer and Publisher have been replaced by one unified symbol. The new product is impressive. Speed and versatility second to none will probably make it rank as the best new application of the year. However, for users of the previous Affinity apps, there will be a significant learning curve. Virtually all of the old functions, plus new capabilities, are there, but the tools are hard to find.  The user interface for the Affinity Photo Studio is simple enough when the ima...

Brightin Star 35mm f9.95 M43 manual focus lens

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I have been an Olympus/OM System micro four thirds user for many years. I love the format, cameras and lenses for many reasons, including the small size, light weight and quick automatic focus. But I also enjoy photographing some subjects with third-party, manual-focus primes on my Olympus E-M5 and E-M1, taking me back to the days of shooting film with less-sophisticated cameras. But the manual-focus primes are best for portraits and still-life shots, not for anything involving action. My first venture into the manual-focus lens world was an adapted used and cheap lens from an old Olympus film camera. Not satisfied with the speed, I stepped up to a new and expensive Voigtlander Nokton f0.95 17.5mm lens.  The robust lens produced images with a unique character, which I loved. The well-built he lens was big and heavy, which I did not like. It was like a having military tank mounted on the front of the camera.  Here's a shot from the lens, stylized to give it a black and white fi...

Refinement with Textures

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 Using texture overlays is a great way to add character and flair to the final processing of some images. Traditional processing cannot produce the eye-catching distinction achieved with the superimposition of a texture onto a digital photograph. You can produce your own textures by photographing interesting natural textures, but there are many sources of textures online, too. So, why spend time re-inventing the wheel when it's already rolling for you. Shot of a pool with a Texture Bite added. My favorite online source is the Texture Bites package from Photomorphis. Each Bite design comes as a four-layer Photoshop file. Three layers are textures, and the other layer is used to direct placement of your original file within with the texture files. Antique International Harvester Roadster shot at the National Automobile Museum. Texture Bites brings distinction to this image. Open your image in your photo editor capable of handling layers. Then open the Texture Bites file and copy all ...

Using the Olympus OM-D E-M5 iii

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I love using modern software to stylize digital images, and you don't have to travel to Switzerland to get interesting nature photos for that work. Here are some of my latests shot with the Olympus OM-D E-M5 iii and the M.Zuiko Digital 17mm f1.8 prime lens. A view of a pocket park in a Round Rock, Texas neighborhood. 200 iso f9 1/400 sec, ON1 Photo RAW 2025 MAX Here is a Rock Rose, cropped for close-up. 200 ISO f3.5 1/250 sec, ON1 Photo RAW 2025 MAX: Color Film - CF10 Fujifilm Velvia 50 Sometimes adding a texture gets a distinctive look. Cropped for close-up. 200 ISO f1.8 1/4000 sec, ON1 Photo RAW 2025 MAX: Inked texture In the park I spotted what's left of a personal-size flag tangled in the limbs of a dead shrub. Cropped for close-up. ISO 200 f1.8 1/250 sec, ON1 Photo RAW 2025 MAX: masked, filter - High Key B&W Warm. Adjacent to our building are several crape myrtle shrubs in bloom. Here's a close-up with faux-film stylization of one of my favorite black and white fil...

New Views with Something Old

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 A few months ago I did a bit of camera and lens trading/buying to return to the basics of the micro four thirds format: smaller is better. I acquired a very good, used Olympus OM-D E-M5 Mark III camera and an excellent-condition Olympus M.Zuiko Digital 17mm f1.8 lens. E-M5 iii with M.Zuiko Digital 17mm f1.8 and Olympus LH-48B lens hood. The used lens, introduced in December 2012, actually came with an Olympus-branded lens hood. Now that I am a "senior" -- old -- and use a cane for walking, I need to have my camera attached to a neck strap, often shooting with one hand. This combination is perfect for that. The 17mm is now my "normal" lens. Cropped image shot with the M.Zuiko 17mm f1.8 on E-M5 iii. I sold my Panasonic Lumix DG Summilux 12mm f1.4, which I acquired soon after it was released in 2016. It is one of the best prime lenses in the MFT lineup, but it was just too bulky and heavy for an old man to deal with. Replacing it was the M.Zuiko Digital 12mm f2.0. Bot...

"Love Is in the Air"

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 Here's a composite image from a performance of the Enclave Choir, directed by Meg Miller. The show was a collection of love songs and related narrative. Location: The Enclave at Round Rock senior living center, Round Rock, Texas.  The photo was shot using the M.Zuiko 12-100mm F4.0 IS Pro lens on an Olympus E-M1 Mark III camera. In my opinion, this lens is the best zoom lens ever made for the micro four thirds format. The lens was first released in 2016 but never became a big hit because of its size. I purchased the lens soon after its release. At the time, the only MFT camera I owned was the PEN-F, but it had a third-party grip, making it perfect for balancing the heavier lens. With Olympus cameras, the lens adds 2 stops of stabilization, and it had a manual ring clutch for quickly switching from auto focus to manual focus. The  M.Zuiko Digital ED 12-200mm f/3.5-6.3, one of the last lenses in the pipeline before the Olympus camera division became OM System, was designed ...

Enclave Entertainment

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 Resident Meg Miller and Entertainment & Programming Director Chris Davidson entertained at a recent The Enclave at Round Rock happy hour.