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Showing posts from May, 2025

Refinement with Textures

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 Using texture overlays is a great way to add character and flair to the final processing of some images. Traditional processing cannot produce the eye-catching distinction achieved with the superimposition of a texture onto a digital photograph. You can produce your own textures by photographing interesting natural textures, but there are many sources of textures online, too. So, why spend time re-inventing the wheel when it's already rolling for you. Shot of a pool with a Texture Bite added. My favorite online source is the Texture Bites package from Photomorphis. Each Bite design comes as a four-layer Photoshop file. Three layers are textures, and the other layer is used to direct placement of your original file within with the texture files. Antique International Harvester Roadster shot at the National Automobile Museum. Texture Bites brings distinction to this image. Open your image in your photo editor capable of handling layers. Then open the Texture Bites file and copy all ...

Using the Olympus OM-D E-M5 iii

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I love using modern software to stylize digital images, and you don't have to travel to Switzerland to get interesting nature photos for that work. Here are some of my latests shot with the Olympus OM-D E-M5 iii and the M.Zuiko Digital 17mm f1.8 prime lens. A view of a pocket park in a Round Rock, Texas neighborhood. 200 iso f9 1/400 sec, ON1 Photo RAW 2025 MAX Here is a Rock Rose, cropped for close-up. 200 ISO f3.5 1/250 sec, ON1 Photo RAW 2025 MAX: Color Film - CF10 Fujifilm Velvia 50 Sometimes adding a texture gets a distinctive look. Cropped for close-up. 200 ISO f1.8 1/4000 sec, ON1 Photo RAW 2025 MAX: Inked texture In the park I spotted what's left of a personal-size flag tangled in the limbs of a dead shrub. Cropped for close-up. ISO 200 f1.8 1/250 sec, ON1 Photo RAW 2025 MAX: masked, filter - High Key B&W Warm. Adjacent to our building are several crape myrtle shrubs in bloom. Here's a close-up with faux-film stylization of one of my favorite black and white fil...

New Views with Something Old

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 A few months ago I did a bit of camera and lens trading/buying to return to the basics of the micro four thirds format: smaller is better. I acquired a very good, used Olympus OM-D E-M5 Mark III camera and an excellent-condition Olympus M.Zuiko Digital 17mm f1.8 lens. E-M5 iii with M.Zuiko Digital 17mm f1.8 and Olympus LH-48B lens hood. The used lens, introduced in December 2012, actually came with an Olympus-branded lens hood. Now that I am a "senior" -- old -- and use a cane for walking, I need to have my camera attached to a neck strap, often shooting with one hand. This combination is perfect for that. The 17mm is now my "normal" lens. Cropped image shot with the M.Zuiko 17mm f1.8 on E-M5 iii. I sold my Panasonic Lumix DG Summilux 12mm f1.4, which I acquired soon after it was released in 2016. It is one of the best prime lenses in the MFT lineup, but it was just too bulky and heavy for an old man to deal with. Replacing it was the M.Zuiko Digital 12mm f2.0. Bot...